Alexander’s rule of outdoor macro photography: once you’ve found good framing and perfect focus, nature will test your patience with multiple puffs of wind. Continue reading “Macro Photography”
A “late find” from our September 2013 road trip, at Drury-Chaney Grove, along Avenue Of The Giants near Pepperwood, CA. I should have stayed there longer and wandered into the woods further, but was feeling pretty exhausted from a cold that I had caught. Continue reading “Wild Forest”
Spring is the most precious time of year in Southern California. For a couple of weeks, the beige and brown tones that dominate the landscape (together with the dark green of some hardy and drought-resistant chaparral shrubs) are replaced by the freshness of bright green grass, as well as the colors and scent of flowering bushes and trees. Continue reading “Precious Green”
I just pulled the plug (2014 is the year of cleaning up, it seems), and removed the “Mobile Art” gallery from my photography page – it was dedicated to cellphone images, and that’s just not something that I want to showcase as a regular/separate body of my photographic work, anymore.
I have two problems with this type of photography:
- Data Quality. Cellphones simply don’t capture adequate amounts of data with their shitty and resolution-wise hopelessly overloaded tiny sensors. That data is then crudely processed (for noise and whatnot, because the stuff looks terrible at ISO400 already) and crammed into a limited and lossy JPEG file. For my type of photography, and the way how I process my images and what expectations I have, it’s just not adequate, 95% of the time.
- Filters. Do I actually need to say more? It seems that every mediocre cellphone photo evolves into a piece of retro-art by being pressed into a square crop and having some Hipstamatic/Instagram/Retrocam filter slapped onto it. That is actually so cheap, compared to developing one’s own images according to a personal vision and style. But if it’s named “Sutro” or “Retrolux”, it has none of that. It doesn’t matter if you have 5 filters, or 10, or 50 (and the ability to randomize your textures and scratches and light leaks whatnot): in the end, no matter what you photograph, as soon as you slap one of those filters on it, it’s going to look just like the million or so other photos that are using the same filter.* Why would you go for that uniform look? It’s ridiculous.
I’m not saying that it’s not possible to make great photos with cellphones. The image above is a cellphone photo, and it’s one of my personal favorites (I’m not saying it’s great – I just like it). And if you’re having fun with it, that’s perfectly fine. I just don’t see myself adding to that craze any longer, and be mislead and distracted by it. And the very few images that I still really like may just as well be part of my “normal” galleries.
*) and on top of that, the lack of attention that I can spend to detail (simply because that screen is so small) is bothering me all the time.