Jane Antonia Cornish

My streak of fondness for modern classical continues. I do not dip my toes too deep into these waters because, just like with everything that is available digitally on the internet, it’s all too easy to get lost, but a recommendation from Tim “The Rambler” Rutherford-Johnson means to me that something must have a distinct signal, well above the noise.

He most recently recommended Jane Antonia Cornish‘s “Constellation” album and I fell in love with the entirety of her work, almost instantly. Continue reading “Jane Antonia Cornish”

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Running Mix

I created a mix for my runs – when I’m in the right mood for music while running (I’m not always!) and when that mood tolerates mostly electronic music (it doesn’t always!), the flow supports my runs really well.

This is all pretty old electronic music by now (I think all tracks are from the 90ies) and it’s pretty crudely mixed too I admit, but it serves the purpose I created it for.

I made the mix available on Mixcloud: Continue reading “Running Mix”

Statea

Carefully stretching our my tendrils* in search of more modern classical music, I found “Statea”, a joint effort by Tijuana-born electronic musician Murkof and classical pianist Vanessa Wagner. Together, they re-interpreted works of avantgardist/modern/minimalist composers like John Cage, Valentin Silvestrow, Philip Glass, and even Aphex Twin. Continue reading “Statea”

Passage

I admit that I’ve fallen out of love with ambient a little bit. Not entirely, mind you, but enough that I do not really care much about actively finding anything new in that genre. Most recently for example, I bought the entire discography of a certain online label – they gave it away for an absolute bargain price on Bandcamp, so instead of buying the one album that I actually wanted, I bought all 47 of their releases. Continue reading “Passage”

2x Modern Classical

I admit that so far, the “Modern Classical” genre (or music labeled with the term) only had a limited appeal to me – quite often, the connection of electronics with classical instruments feels too forced for my taste. Two notable exception that I’d like to recommend here are Jim Perkins’ “Constance” from 2015 and Max Richter’s “Recomposed: The Four Seasons by Antonio Vivaldi” from 2014. Continue reading “2x Modern Classical”